From the Philharmonic Hall St. Petersburg, (starts at 0:31)
On the eve of St. Petersburg 300th birthday, Yuri Temirkanov conducts the soprano singer Anna Netrebko and the St. Petersburg Philharmonic Orchestra
Anna Netrebko — soprano
Yuri Temirkanov — conductor
St. Petersburg Philharmonic Orchestra
Gaetano Donizetti — Lucias cavatina from Lucia di Lammermoor
Click here to watch the full concert on the occasion of the St. Petersburg 300th birthday: youtu.be/nESdk_MxBMQ
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St. Petersburg, Russias fabled «window to Europe», celebrates its anniversary presenting a gala of distinguished musical Art where Yuri Termirkanov conducts one of the oldest Russian symphonic ensemble: The St Petersburg Philharmonic.
J.S.Bach HARPSICHORD Concerto in D Minor BWV 1052 Polina Osetinskaya piano
The Mariinsky String Orchestra
Conductor: Anton Gakkel www.antongakkel.org/
St.Petersburg, Mariinsky Theatre, Concert Hall 29.03.2015
0:05 — 1mvt / 8:15 — 2mvt / 16:13 — 3mvt
The life of pianist Polina Osetinskaya can be divided into two stages. The first – that of “wunderkind” (a word that Polina herself cannot abide) – was when Polina performed as a girl in huge halls filled with excited sensationalists. The second, which has continued to the present day, is essentially her victory over the first. It is both a reference to serious performing and to exacting audiences.
Polina Osetinskaya began to perform at the age of five. At the age of seven she entered the Central School of Music of the Moscow Conservatoire. Polina gave her first concert at the age of six at the Great Hall of the Vilnius Conservatoire in Lithuania. Together with her father who accepted the role of manager, the young Polina began to undertake frequent tours throughout the former USSR to packed halls and ovations. In her own country Polina was possibly the most famous child of her time and her relationship with her father was portrayed by the mass media as some kind of soap opera after the thirteen-year-old Polina decided to leave her father and study music seriously at the school of the Leningrad Conservatoire under the acclaimed teacher Marina Wolf.
Polina began to tour once again while still a student at the St Petersburg Conservatoire. (The pianist subsequently completed a postgraduate course at the Moscow Conservatoire under Professor Vera Gornostayeva.) She has appeared with the Tokyo Philharmonic Orchestra, the Orchestra of the Weimar National Opera, the Academic Symphony Orchestra of the St Petersburg Philharmonic (Honoured Ensemble of Russia), the State Academic Svetlanov Symphony Orchestra, the Moscow Virtuosi and the New Russia orchestra among other ensembles.
Polina Osetinskaya’s onstage partners have included conductors Saulius Sondeckis, Vassily Sinaisky, Andrei Boreiko, Gerd Albrecht, Yan Pascal Tortelier and Thomas Sanderling. Polina Osetinskaya has performed at the Wallonie Festival in Brussels, the Mainly Mozart festival, the Frédéric Chopin Festival in Miami, the Stars of the White Nights festival and the December Evenings festival among numerous others.
The pianist has been awarded the Maly Triumph prize. In 2008 she wrote her autobiography Farewell, Sadness, which became a bestseller.
Polina Osetinskaya generally creates unusual and frequently paradoxical solo programmes. She almost always includes works by contemporary composers, frequently justaposing them with traditional classical works: “Contemporary music is not just a continuation of older music. It also helps us discover ideas and beauty in older music that have been lost over decades of the blind museum generation and mechanical and often soulless performing.”
Polina Osetinskaya often performs works by post-avant-garde composers such as Valentin Silvestrov, Leonid Desyatnikov, Vladimir Martynov, Georgs Pelēcis and Pavel Karmanov.
The pianist collaborates with many recording companies including Naxos, Sony Music and Bel Air.
#polinaosetinskaya #musicaaldente #полинаосетинская #бах
An alluring piece of classical music by Sergey Konovalov. Described as playful and enchanting, with majestic crescendos. Embark on an audio journey through the ‘Enchanting Desert’ with Sergey’s beautiful music. Written, composed and performed to take the listener on a musical voyage — Relax and ride the desert winds.
Красивая музыка для хорошего настроения. Очаровательная пустыня.
01. Toccata and Fugue in D Minor, BWV 565 0:00:09
Сергей Дижур
02. Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie 0:09:37
Московский камерный оркестр, Рудольф Баршай
03. Orchestral Suite No. 3 in D Major, BWV 1068: II. Air 0:11:04
Московский камерный оркестр, Рудольф Баршай
04. Orchestral Suite No. 4 in D Major, BWV 1069: IV. Gavotte 0:17:08
Московский камерный оркестр, Рудольф Баршай
05. Sonata No. 1 in B Minor, BWV 1014: II. Allegro 0:18:14
Игорь Ойстрах, Наталья Зерцалова
06. Trio in G Major, BWV 586 0:21:49
Сергей Цацорин
07. Concerto for 2 Harpsichords in C Minor, BWV 1060: I. Allegro 0:25:08
Московский камерный оркестр, Константин Орбелян, Ирина Иванова, Александр Архангельский
08. Harpsichord Concerto No. 5 in F Minor, BWV 1056: II. Largo 0:29:58
Московский камерный оркестр, Константин Орбелян, Карол Розенбергер
09. Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Menuet 0:32:52
Московский камерный оркестр, Рудольф Баршай
10. Sonata No. 4 in C Minor, BWV 1017: I. Largo 0:34:19
Игорь Ойстрах, Наталья Зерцалова
11. Well-Tempered Clavier, Book I, BWV 846: Prelude and Fugue No. 1, in C Major 0:39:39
Андрей Гаврилов
12. Concerto for 3 Harpsichords and Strings in D Minor, BWV 1063: III. Allegro 0:41:37
Московский камерный оркестр, Рудольф Баршай
13. Brandenburg Concerto in G Major, BWV 1048: III. Allegro 0:47:52
Ансамбль скрипачей Большого Театра, Борис Хайкин
14. Sonata No. 2 in A Major, BWV 1015: III. Andante un poco 0:54:22
Игорь Ойстрах, Наталья Зерцалова
15. Harpsichord Concerto No. 5 in F Minor, BWV 1056: I. Allegro moderato 0:58:11
Московский камерный оркестр, Константин Орбелян, Карол Розенбергер
16. Concerto for Flute, Violin and Harpsichord in A Minor, BWV 1044 1:01:35
Московский камерный оркестр, Рудольф Баршай, Сергей Дижур, Куняев Борис, Миранович Леонид
17. Harpsichord Concerto No. 5 in F Minor, BWV 1056: III. Presto 1:11:14
Московский камерный оркестр, Константин Орбелян, Карол Розенбергер
«Сиреневый день». Музыка для релаксации С. С. Коновалова. Нежная музыка для души и для снятия стресса. Инструментальная релакс музыка для успокоения.
Sergey Konovalov’s relaxing piano music has a classical style with a modern twist, creating an emotional significance of arrhythmic deviations, infusing melodic and rhythmic contrasts. This particular beautiful relaxing music is taken from his Album ‘Lavender Night’.
Peaceful music for relaxed listening, meditation, stress relief, calm and concentration.
odin